This particular version is all twist and very little shout – cheerful, almost languid, cantering along without any real spark but entertaining all the same. It has survived dozens of styles and, for that matter, will endure its current life in reality show limbo. While The Word took time out from dousing students in beans to grapple with the issues, pre-watershed ragga was a brighter, sunnier experience.Ĭhaka Demus – the rough one – and Pliers – the smooth one – thoroughly retool a pop standard but it’s hard to imagine anyone being annoyed (or thrilled) by the resulting jollities: “Twist And Shout” is the kind of song which is so often covered you’d think it can’t have purists anymore. ![]() But none of that drama showed up in the charts. Particularly as the sex, swagger and silk trousers might be mixed up inextricably with vicious homophobia. Dancehall was a controversial import: for a pop audience used to reggae as good vibes unity music, the arrival of young lions like Shabba Ranks was a shock. Looking back on the Summer of Ragga (and indeed the Winter Of Ragga), what strikes me is how cuddly its chart presence was.
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